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DENIM IS THE COLOR OF MY TRUE LOVE’S HAIR - In the summer of 1985 I was still a teenager living in Wales, on the dole, and watching Live-Aid in a cloud of smoke at my old mate Griff’s house. During a visit to London that September someone told me about this nutter called Zodiac Mindwarp who was forming a band. He appeared exactly as one would imagine Genhgis Khan to have looked if he were a Hells Angel - and on the front cover of L’uomo Vogue - instead of some filthy herbert charging about raping and pillaging Central Asia on horseback. I made a few calls and following an audition that appeared to focus more on my ability to have the longest guitar strap since Johnny Ramone than any particular musical talent; I was invited to join Zodiac, Cobalt Stargazer, and Boom-Boom Kaboomski for the adventure of a lifetime.

The first thing Zodiac did was to change my name from Haggis to Kid Chaos – in honor of my youth and rather erratic energy. Two weeks later – November 4th 1985 - was our first show: Dingwalls in Camden, North London. There were only a few people present - our manager, our publisher, a roadie, and a journalist who reviewed the show under the title Horrorscope. All the songs sounded the same, and we played them horribly. It didn’t matter. We were – to coin a phrase - BADASS!!! It wasn’t long before every dirtbag, acid casualty and disgruntled metal fan crawled out of the woodwork to pay homage at our feet. Our shows became mini-Altamonts. For the next eighteen months we rocked our way across the European continent in the name of Bon Scott and Phil Lynott. Clad in psychedelically adorned German helmets and boot-polish stained denims we shat on everyone and shagged their girlfriends while they were away on tour. If you weren’t there it’s a shame you missed it. It would be another decade before the next British band walked the earth with such confidence and swagger (Oasis).
To this day, it was one of the greatest times of my life: A nieve Welsh boyo who abandoned his moral virginity amid the sordid underground of mid-nineteen-eighties London. Getting tattooed at midnight, drinking ‘til dawn then staggering late to rehearsal. Being fawned over by impossibly beautiful girls in darkened basement nightclubs, and awakening beside them in unfamiliar rooms with the stench of cheap hairspray and cigarette smoke hanging heavy in the air. Spending obscene amounts of record company money: We just bought louder amps and fancier guitars, and then smashed them anyway! Inevitably – as with anything that potent – something had to give, and it was me. I had ideas of my own and Zodiac was a man with a singular vision. I left under dishonorable circumstances.

To this day Zodiac loves to bait me. He was the drunken mastermind, his unparalleled knowledge of classical literature and art decorating our monstrous noise with a sophistication that sorted the wheat from the chaff in a scene sprung from the seeds we sowed. I was the conniving teenage upstart who left him for someone else at the rock’n’roll altar. He was pissed off. He still is. Yet, no matter how far I have wandered since, no one fucked like Zodiac Mindwarp And The Love Reaction. It was my first encounter with true love.
                                         
Stephen Haggis Harris (a.k.a. Kid Chaos) – March 28, 2011

 
 
   
 
   
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march  
THE FOUR HORSEMEN NO-SIGNATURE TELECASTER – Strictly limited edition

Over the years since they made Nobody Said It Was Easy many people have asked the band how they got the guitar sound that defined the record. Of course, the most important component was who’s playing the guitar. That aside, Haggis and Dave believe they have come up with an instrument that embodies the tone, playability, and vibe of the instruments they actually used, both on the record and live during the classic period of the band.

Each guitar is hand crafted and has been made in a limited edition of 10. The body is made of solid swamp ash. The neck is maple with jumbo frets, a 7.5 c-profile, and (as with the original) a no-logo headstock. She features a Gretsch Filtertron pickup in the neck position, and a hand wound, hand dipped, custom single-coil pickup at the bridge. The entire guitar, including hardware, has been reliced to resemble the notoriously battered telecaster that Haggis played exclusively from 1989-1992. Each instrument is signed by both Haggis and Dave under the neck plate, and is individually numbered.

Haggis – “My original telecaster was stolen from a repair shop in Manhattan in 1995. After years of tinkering, this is the absolute best we’ve managed to come up with. The prototype for these is now my favorite guitar. When I went back to the luthier to order a spare, I thought, why not make 10 more and let the diehard fans have an opportunity to rock out too? If you want to know how it sounds, think of the opening chords of Rockin’ is ma Business, or the wailing solo at the end of Somethin’ Good.”

E-mail us if you want one. We’ll even play it in for ya!


Price - $1799.00

Shipping and Handling charges not included. Please contact us directly to arrange shipping and insurance.


 
 
   
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october 2009   letter
             
 
 
 
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